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Frank is a drug pusher on the roll until he makes a huge deal with dope that he hasn’t paid for and he gets busted by the police. He manages to dump the dope in a nearby lake but he owes his supplier a lot of money (not a nice guy to owe money to). Now we follow Frank in his quest to raise money in the underworld of Copenhagen.
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This is a film about how crime never pays. Literary. Pusher Frank(Kim Bodina) is a middle level drug dealer in Copenhagen. He spends his time hanging out with his drug dealer buddy Tonny(Mads Mikkelsen) doing business and clubbing. He has also a strange psuedoromantic relationship with the hooker “Vic”(Laura Drasbæk). Frank is debt to the drug-lord Milo(Zlatko Buric), but since Milo is a nice guy and Frank is his best friend in Copenhagen he is cool with it as he trust his friend to pay him back. One day Frank get’s the chance to do a big deal with the swede Hasse(Peter Andersson). Frank get’s the heroin the swede wants to distribute in Malmö, but the cops show up and Frank drops the heroin into a river. Frank’s “buddy-debt” has now been blown up to a enormous level, and Milo shows how little friendship means in a world with no morals.
This film is a fu***** masterpiece. It’s so good that it together with Pusher II: With Blood on my Hands and I’am The Angel of Death: Pusher 3 it manages to even outshine the Godfather- trilogy. Pusher is a dirty and raw ride into the bottom shaft of the Copenhagen-underworld. The criminals are scum, but they are still people. They are like real people with good and bad sides. Every actor in this film is fantastic. Kim Bidina, Laura Drasbæk, Mads Mikkelsen, Slavko Labovic and Zlatko Buric all give wonderful performances. Will cinema ever see a greater gangster character than Milo?
During the cause of the film, we get to know more and more about Frank and the more we get to know the more questions pops up. In one scene Frank visits his mother and we learn that Frank grew up in an ordinary middle class home. Why did he become a gangster? What went wrong?
The image quality is gritty, it feels more like director Nicolas Winding Refn took his personal 16mm camera and followed a pusher for a week. The film does not feel like a film, but a home-video belonging to a gangster who has filmed his friends for fun. It’s honest, authentic and gripping.
The music by Peter Peter is great. It feels very much like the stuff you would hear on the radio in the hideout of some Copenhagen mobsters. It’s as gritty as the film itself.
The ending leaves one speechless. I won’t spoil it, but it’s unforgiving and breathtaking.
staffsenya 